Essay --

Formal analysis Paper Claude Oscar Monet (1840-1926) was a French painter known for his routine of rash color and unusual subject matter. In the 1860s, Monet joined like-minded artists much(prenominal) as Edgar take to create the movement that became known as Impressionism. Edgar degas (18341917) was also French but born to a wealthy family. He bene chequerted from traditional training and was not comfortable with the label Impressionist ascribable to this training. This paper intends to analyze Claude Monets The Walk, Woman with a Parasol(fig. 1), and Edgar Degas The Little FourteenYearOld Dancer (fig. 2), through a consideration of composition, use of color, perspective, and brush strokes. Capturing the natural play of light and fantasm was a signature theme in all of Monets work. In this painting, he positions the light to the right of the woman and male child which leads the viewers eye up. He then uses shadows in the parasol, the womans grimace and on the groun d to lead the viewers eye tail end down the painting. The deliberate placement of the light and shade is an effective scape that he uses with a lighter touch in the boys clothing, the clouds and notably the grass. This fade showcases Monets use of color, which was another one of his signature themes. He uses aplomb colors to give the painting a tranquil feeling and to attend emphasize his subjects, the woman and boy. He stays with the cool color palette with use of blue in the sky, the womans clothes, the grass and the boys clothes. He then incorporates warm colors into the piece with the use of white in the clouds, and in the models clothes, the parasol, and even in the grass. Monet used the highlights of jaundiced and white to serve as focal points as well as natural highlights... ...al cloth. While the corset appears to be tailored loosely, the tutu seems to fit but it lies limp against the figures legs. Despite the use of complicated media, the dancers tights are existingly sculpted, not fabric. The ballet slippers are actual shoes coated with wax the same wax covers the entire sculpture, preserving her and the fallible elements. In Monets painting, The Walk, Woman with a Parasol, the viewer is lead through a journey of expressive brushstrokes, color, and the playfulness of light and shadows. He successfully uses his impressionistic brushwork to grasp the viewers attendance and keeps their sake with his balancing of warm light and the shadowing cool colors. Degas uses his knowledge and study of the human figure to grab the viewers attention he then follows up with his unconventional use of bronze and conflate media to keep their intrest.