Domus Aurea, Golden House Of N :: essays research papers fc

The Domus Aurea, well-situated House of NeroIn AD 64, Nero company fire to the city of capital of Italy. The exact reasons he did it are not amply known. It is thought that he partly did for poetic or artistic purposes, or for the purpose of clearing away a city that had currently displease him. In its place however he did rebuild a wear break through Rome, for the most part that is. A extensive portion, and arguably too large of a portion, was expropriated for the use of his own fireside to be called the Domus Aurea. This is translated The Golden House, and so, the residence is called The Golden House of Nero. While the Domus Aurea had rather unjustified reasoning john it, it is one of the greatest architectural achievements of the ancient world. Neros residence to begin with his Golden House, was the Domus Transitoria. This was by now means any small living(a) space. It was considered to be a mansion in itself. This palace linked to the over-embellished Gardens of Maec enas on the Esquiline hill. It also spanned up the Velian slope beside the Forum (Grant 164). However this anatomical structure was not destroyed in the fire of 64. However it did clear out a valley behind it making room for Neros prox house. Promptly after the fire construction was begun on Neros Golden House. It would continue until AD 68 (Wheeler 142). In fact the Domus Transitoria would soon perplex part of the new Domus Aurea.The architects of this great project were more than engineers than they were architects. Their names were Severus and Celer (Picard 116). They were more like Italian bosses heading up a team of technicians who came to Rome in hordes due to their recent fire. However, these engineers main goal was to make the estate look bigger and be bigger without actually expanding. They accomplished by working on it from the inside out, utilizing paintings on walls that gave the impression of going on for infinity.It is an under statement to refer to these building s as houses at all though. They were clearly much more than this, in even their smallest proportions. The Domus Aurea itself was a series of buildings and landscapes knowing to give the impression of a vast park in a relatively small area for such a thing (Picard 116). The motif behind this was that you would create something more dishy for the beholder if your creation was beautiful for how you used the earth.