An analysis of the Feminism Theory

An analysis of the Feminism TheoryBelief in the social, governmental and sparing equating of the sexes, the movement organized around this belief. Feminist theory is an issue of the general movement to empower women worldwide. Feminism can be define as a recognition and critique of male supremacy combine with effort to change it. Simply saying Feminist fights for the equation of women and indicate that women should sh ar equally in societys opportunities and sc ar resources.Goals of FeminismTo demonstrate the splendour of women.To reveal that historically women engage been subordinate to men.To bring about sexual practice equity.Historical PerspectiveThree Waves of Feminism beginning(a) Wave (19th through early 20th centuries).Second Wave (1960s-1980s). 3rd Wave (1990s-Present)First Wave FeminismFirst-wave feminism refers to a period of feminist natural action during the nineteenth century and early twentieth century. It foc employ primarily on gaining the right of women s suffrage. The term, runner-wave, was coined retrospectively later on the term second-wave feminism began to be used to describe a newer feminist movement that tapered as a great deal on fighting social and cultural inequalities as further political inequalities.Second Wave FeminismThe second-wave of the Womens Movement began during the early 1960s and lasted passim the late 1970s. Whereas first-wave feminism focused mainly on overturning legal (de jure) obstacles to equality (i.e. voting rights, property rights), second-wave feminism ad garmented a wide score of issues, including unofficial (de facto) inequalities, official legal inequalities, sexuality, family, the workplace, and, perhaps most controversially, reproductive rights.Third Wave FeminismThird-wave feminism began in the early 1990s, arising as a solution to perceived failures of the second wave. and as well as a response to the backlash against initiatives and movements created by the second wave. Feminist lea ders rooted in the second wave like Gloria Anzaldua, bell hooks, Chela Sandoval, Cherrie Moraga, Audre Lorde, Maxine Hong Kingston, and many opposite feminists of color, sought to negotiate a home at heart feminist feeling for consideration of race-related subjectivities.Types of FeminismLiberal FeminismAll people are created equal and should not be denied equality of opportunity be front of gender.Liberal Feminists focus their efforts on social change through the construction of legislation and prescript of employment practices.Inequality stems from the denial of equal rights.The primary obstacle to equality is sexism.Marxist FeminismDivision of labor is related to gender social function expectations.Females give birth. Males left to mount familyBourgeoisie=MenProletariat=Women radical FeminismMale power and privilege is the basis of social relations.Sexism is the last tool used by men to keep women oppressed.Women are the first oppressed group.Womens heaviness is the most widespread.Womens oppression is the deepest. socialistic FeminismViews womens oppression as stemming from their work in the family and the economy.Womens inferior position is the result of class- found capitalism.Socialist believes that history can be made in the private field of operation (home) not just the public sphere (work).Feminism and the MediaThe mass media have played an important role in the dilution of feminist goals and ideals. They practically ignore, trivialize, or belittle the principles of feminism. The media employs several techniques or strategies that contribute to the negative representations of women and feminism, which are also damaging to the central goals of feminism. Women are often represent as sexual spectacles, as being on display for men. Patriarchal society dictates that women be constructed as an object for the gaze of the male spectator. Women are positioned as the inactive object of the male gaze, earlier than the subject in mainstream media a nd come to attribute this view (Dow, 1999 1997 Wahers, 1992).Wahers (1992) describes the male gaze as the idea of men ascertain the specific vantage point of media depictions of women, as occupying a privileged space in the process-of contacting ways of seeing. Ways of seeing remains an important textbook for feminist cultural theorists who contend that women are forced to identify themselves within in a visual society constructed for male pleasure (Walters, 1999 1992). barbarian (1992) suggests that womens attempts at achieving equality are negatively affected by images of women represent as sex objects. She discusses the concept of the beauty myth, which refers to how womens societal worth is based on physical appearance and youthful beauty. Walters argues that objectification of women is not an added-on attraction, but rather endemic to the very structure of image-making (Walters, 1999, p. 235). This is exemplified in media advertisements where women are frequently delineat ed in what Wahers (1999) terms a fragmented way. Women are often mother wit by their specific body parts their lips, legs, hair, eyes, etc., instead of being represented as a serious whole or subject. In advertisements women are urged to think of their bodies as things or parts that need to be wrought and shaped into a male conception of feminine perfection. The fragmentation of the female body into body parts that women should then improve often results in women having self-hating relationships with their bodies.Media Feminism in PakistanMuslim women form a highly respective(a) and complex group and assumptions about them are often ill-conceived, miss-informed and grossly miss-represented. This is often reflected in images of them, particularly in the West, as oppressed, powerless and victimized. The voices of Muslim women, strain to keep their religious identity in Western contexts, are naughtily under-represented within academic research.In recent years there has been an in crease interest in Islamic culture as a fundamentalist and sensationalist phenomenon. Media coverage and Western scholarship often views Muslim women as an oppressed mute victim and asserts or implies that Islam itself oppresses women. Islamic Feminism and Its role in Cinema is a guinea pig derived to counter react the depiction of Muslim women by the media.Feminists and Muslim women activists have sought to determine the cause of discrimination against women by examining the effects on Muslim women of patriarchy, kinship and norms within Muslim and non-Muslim societies.6 Overall trends in the published material focus on colonialism, Orientals and the media as the cause of discrimination against the Muslim womans identity. An extensive study of the research literature has failed to identify how Muslim women filmmakers represent Muslim women and whether they support feminist agenda.Critical Analysis Movie Name Dragon cum (1944)Dragon Seed is co-directed by Harold S. Bucquet and Ja ck Conway. It received two academy Award Nominations for Best Supporting Actress, Aline MacMahon, and for Best (Black-and-White) Cinematography, Sidney Wagner. The freewheeling diagram has a heroic young Chinese feminist woman, Jade (Katharine Hepburn), who goes dressed as a man to lead her fellow peaceful sodbuster villagers in an become against the Japanese invaders.It opens in the spring of 1937 with patriarch burbot Tan (Walter Huston) and his family planting rice in the valley of Ling, China. The farmers are refer about the recent Japanese invasion of the north, and take out their fire on Wu Lienas an angry student mob insists that he stop interchange Japanese merchandise or else. When he refuses their demands, they destroy his store.Soon after the farmers observe Japanese airplanes bombing the nearby city. The pacifist Ling is surprise by the attack, but along with Lao San and eldest son Lao Ta (Robert Bice) decide to remain on their farm despite the expect dangers of a Japanese invasion. While Lao Er and Jade collaborate a resistance group of refugees in the hills. Upon their departure the Japanese host takes over the valley, and Lao Tas wife Orchid is raped and killed by the encroaching(a) soldiers, who also kill Wu Liens elderly mother. Ling and his wife remain secure as they go into hiding. This cruelty drives the remaining sons of Ling to join the resistance.In the conclusion, Ling must accept that he must destroy his go through so that he can sacrifice his present gains to ensure the future tense of his grandson. When Jade and hubby rejoin the resistance fighters in the hills to ensure a Free China, they leave their son the, seed of the dragon, in the care of his agreeable grandparents.The story of this scene showed that how the brave women struggles and fight for their country, she appears as a caring mother, a loving and trustworthy wife and a true patriot. The movie shows that how the heroic young Chinese woman leads her fellow villagers in an uprising against Japanese Invaders. This movie truly reflect the feminism theory.