Beatles & Rolling Stones

The Sixties had been defined by the events of the decade namely the Space Program, the struggle in Vietnam, the movement against it and the callowness counterculture behind the movement also together with categorized under sex, doses and jar & retch. Of all the melodyal tidy sums that emerged during the sixties, the Beatles was the most dominant. They became the precursors of the British invasion of America.Quickly following on their heels was the bankroll St whizzs. David Leaf, in his book closely the Beach Boys, finded that the decade called The Sixties actually started only in 1964 when the Beatles arrived in America.It ended, how forever, in 1969 during the roll St adepts free concert in Altamont, California when an black man was killed by a member of Hells Angels as Mick Jagger sang Under my Thumb (cited in Curtis, 111-112). American harmony still held sway over show upular medication even in Britain. Most bands were playing cover practice of medicine or rendi tions of existing American songs. The Beatles were no different. However, what toughened them apart was that they were also writing their feature songs. This was passing unusual at that time.In the United States, this was not an entirely cutting involvement as Bob Dylan had already begun to introduce the power of the lyrics, but it was the Beatles that do fluctuate and roll and roll accessible to the masses and do it popular tho still retain its sense of anti-establishment that appealed to the youth. Their medicament exuded a sense of fun. Their reason in releasing the catchy song I Want to incorporate Your Hand as their debut record to the American market prove to be correct. The Americans were still reeling from the depression wrought by the assassination of the chair John F.Kennedy and the song brought back the smiles. Their songs melody had a way of attaching itself to your psyche. eon you may forget what the rest of the lyrics atomic number 18, the chorus obvi ously stays. They used this resembling formula with their follow up exclusive She Loves You and one can simply not sing yeah, yeah, yeah in their head. This printing came to be known as Beatlemania. Their film A Hard daylights Night is now often referred to as the genuinely offset medicament video. The mania is manifest from the statistics. In February 1964, I Want To agree Your Hand became the commencement ceremony Beatles record to top the U.S. single charts. In the same month, the groups appearance on The Ed Sullivan Show on CBS attracted the largest ever television system audience of more(prenominal) than 73 million or 60 per penny of all U. S. viewers. By the end of March, they held the top five positions in the singles charts (and also had six of the top ten singles in Canada). Their first coast-to-coast U. S. tour, in August and September, saw them perform before more heap than all other artists in the history of American pop musicincluding Elvis Presley (Rayl and Gunther 3).The Wall Street Journal estimated that by the end of the class Americans would spend more than $50 million on sales of Beatle-related production (McCabe and Schonfeld 66) (cited in Inglis, 93). The John Lennon-Paul McCartney collaboration proved to be un ticktackable. One made up for what the other lacked. Their producer, George Martin, likewise had a hand in the reinvention of the pop stimulate sound with creative approaches to recording. They were among the first to incorporate various sounds such(prenominal) asClassical musicians onto pop records, (in one case, a whole orchestra), and incorporated studio accidents such as feedback, twisted tapes, and random lyrics into their songs to create a new variety show of music which put a premium on creativityThe Beatles set a standard of excellence in the writing and recording of British popular music which legions of pop idols have been striving to emulate ever since. They made pop music artistically respectable (Kar wowski, 281). The Rolling Stones stony-broke into the music scene with the help of Beatlemania and their first man ager, Andrew Loog Oldham.Their music influence was in the main the blues peculiarly that of Muddy Waters whom they honored with their choice of band name but Oldham saw them instead as the antithesis to the Beatles. They were going to allot music and sex. Oldham saw that that a need for an alternative sound was extrovertive and he needed to position his band just right. Still maintaining that they were a blues outfit, Mick Jagger was said to have made a remark in 1962, I hope they dont think were a rock and roll outfit (Curtis, 209).Today, they have emerged as the worlds greatest rock and roll band. Ironically, the Rolling Stones first hit recording was a account by Lennon and McCartney, I Wanna be Your Man which was released as a single on November 1, 1963 while it was made a part of an album by the Beatles which was released on November 23, 1963. Regardless, the style was markedly different. The Beatles played what the British called Beat Music, and the Rolling Stones were blues-based. As the Beatles were spreading Beatlemania in America, the Rolling Stones were going to number one in England.It was not long, however, that at the suggestion of Oldham, the Rolling Stones were writing their own songs and were able to establish their credentials with Satisf doing and Jumping Jack Flash. As the Beatles evolved to commence studio recording artists, the Rolling Stones were live acts performing in battle of Marathon tours singing their own songs as well as covers of other masss songs. According to Curtis, Satisfaction is the first anthem of the sixties. This song defined the mid-sixties just as Blowin in the Wind defined the early(a) sixties, and Light My Fire defined the late sixties (212).The Rolling Stones music added with Micks onstage performance which exuded overt sexuality, Keiths rock solid guitar riff and Brian who could play any inst rument given to him, they were a challenge to the establishment. It was their offstage behavior that sealed their reputation and appeal to the more radical proponents of the youth counterculture though they reject responsibility. As it was, Mick Jagger and Keith Richards had the dim record of being the first rock stars to be arrested on drug charges (Curtis 208-209).Dave Aguilar of the Watchband had a better explanation of the appeal of the rock bands especially over the women, Im convinced that just before practice sessions, 60s rock bands secreted pheromones detectable from outer space by the underage female species of Homo Erectus (cited in Kauppila, 2005). By 1967, the war in Vietnam was intensifying and the hippie population was increasing. They were form and flowers, smoked marijuana and dropped acid. The counterculture was clamoring for hard rock. In response, psychedelic music was produced.This was music that one cannot sing along or dance to. It was rubbishy and electr onically distrotted, and often laced with mystic messages (McWilliams & Miller, 70-71). Both the Beatles and the Rolling Stones profited from the popularity of this new sound. The Rolling Stones went head on with the Beatles with the release of Their Satanic Majesties Request which was a pun on the British passport which contained the phrase Her Britannic highness Requests. It was a concept album that was an obvious response to the Beatles Sgt.Peppers nongregarious Hearts Club concept album. While the Beatles album was immensely successful, the Rolling Stones Majesties was a watershed in their career. The album was criticized for lacking the irony and the gutsy, hard-driving rock that the Stones do well while the Beatles was praised in using ambience go to create the fiction of a performance setting. The contrast amongst their styles was evident as well, As opposed to the Beatles cheerfulness in a music hall, the Stones offer decadence in a cabaret (Curtis, 214-215).The music of the Beatles had transcended boundaries mingled with classes and age groups more because of the beat and without regard to the veiled and dual messages contained in the lyrics, while the music of the Rolling Stones were more associated to the cultural subversion of the youth of the Sixties. Their style was more confrontational and more sensory-related and was thus used as a barrier against the rules of the adults. A criticism against them was that they represented the darker side of the age of love and freedom. Simon Frith pointed out that rock would eventually lead to violence becauserock cant just be consumed, but must be responded to like any other form of art-its tensions and contradictions engaged and reinterpreted into the listeners experience. Such engagement is intellectual and moral, the results are enriching and can be disturbing The rock audience is not seen as a passive mass, consuming records like cornflakes but as an expeditious community making music into a symbol of solidarity and an inspiration for action (Whiteley, 87). With songs entitled Jumpin Jack Flash, Brown Sugar, Midnight Rambler and Sympathy for the Devi, Frith was definitely referring to music of the Rolling Stones.Mick countered with a comment of his own. I dont understand the connection between music and violence. I just know that I get very aroused by music, but that it doesnt arouse me violently. I never went to a rock n roll show and wanted to smash windows or beat anybody up afterwards. I feel more sexual than actually physically violent (cited in Whiteley, 88). The incident at the Altamont concert in 1969 was unfortunate. While the violence was clearly motivated by deep-seated bigotry, it was attributed to rock music due to association by context.